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Lessons from Sarajevo: A War Stories Primer [Paperback]

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  • Category: Books (Literary Criticism)
  • Author:  Hicks, Jim
  • Author:  Hicks, Jim
  • ISBN-10:  162534001X
  • ISBN-10:  162534001X
  • ISBN-13:  9781625340016
  • ISBN-13:  9781625340016
  • Publisher:  University of Massachusetts Press
  • Publisher:  University of Massachusetts Press
  • Pages:  216
  • Pages:  216
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Jun-2013
  • Pub Date:  01-Jun-2013
  • SKU:  162534001X-11-SPLV
  • SKU:  162534001X-11-SPLV
  • Item ID: 105169007
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Oct 02 to Oct 04
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.
In today's world, our television screens are filled with scenes from countless conflicts across the globecommanding our attention and asking us to choose sides. In this insightful and wide-ranging book, Jim Hicks treats historical representation, and even history itself, as a text, asking questions such as Who is speaking?, Who is the audience?, and What are the rules for this kind of talk? He argues that we must understand how war stories are told in order to arm ourselves against them. In a democracy, we are each responsible for policy decisions taken on our behalf. So it is imperative that we gain fluency in the diverse forms of representation (journalism, photography, fiction, memoir, comics, cinema) that bring war to us.

Hicks explores the limitations of the sentimental tradition in war representation and asks how the work of artists and writers can help us to move beyond the constraints of that tradition. Ranging from Walt Whitman's writings on the Civil War to the U.S. wars in Iraq and Afghanistan, and focusing on the innovative and creative artistic expressions arising out of the wars of the former Yugoslavia, Hicks examines how war has been perceived, described, and interpreted. He analyzes the limitations on knowledge caused by perspective and narrative position and looks closely at the distinct yet overlapping roles of victims, observers, and aggressors. In the end, he concludes, war stories today should be valued according to the extent they make it impossible for us to see these positions as assigned in advance, and immutable.

JIM HICKSis editor ofThe Massachusetts Reviewand teaches comparative literature at the University of Massachusetts Amherst.

Preface

1. Case Study: Of Phantom Nations
2. Thesis: The Crime of the Scene
3. Victims: The Talking Dead
4. Observers: The Real War and the Books
5. Aggressors: The Beast Is Back
Conclusion: Bringing the Stories Home

Notes
Works Cited
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