Letters to Molly: John Millington Synge to Maire ONeill, 19061909 [Paperback]

When John Millington Synge and Molly Allgood fell in love, he was thirty-five, she nineteen. Neither knew that he had Hodgkins disease, of which he was to die in three years. Synge had already achieved recognition as a playwrighttranslations of two of his plays had been performed in Berlin and Pragueand he was codirector, with Yeats and Lady Gregory, of the Irish National Theatre Society. Allgood had started her acting career the year before, in the newly opened Abbey Theatre, with a walk-on part in Synges Well of the Saints. She had been promoted from crowd scenes to bit parts to lead roles in Riders to the Sea and The Shadow of the Glen. She was still only a member of the company, however, while Synge was a director, whose codirectors disapproved of fraternization. Synge and Allgood also faced the disapproval of two widowed mothers. Barring an occasional holiday trip or company road tour, they could seldom be alone together, except on secret afternoon meetings for long walks in the country. Hence their hundreds of letters.

Molly Allgoods letters do not survive; they apparently were destroyed when Synge died. But his letters convey her mercurial charm, her openness, her love of life, her impulsiveness, and her temperas violent as his own. What they convey of him (when he is not reproving her or remonstrating with her, as he does in the early months of their relationship) is the love of nature, the poetic language, the bittersweet irony, the elemental quality of emotion, that we know from the plays. His concern for his craft is seen as he struggles with The Playboy. (Parts of it are not structurally strong or good. I have been all this time trying to get over weak situations by strong writing, but now I find it wont do, and I am at my wits end.) Synge was quite unperturbed by the violent outrage and near-riots the play provoked. (Now well be talked about. Were an event in the history of the Irish stage, he wrote cheerily.)

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