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The Lied at the Crossroads of Performance and Musicology [Hardcover]

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  • Category: Books (Music)
  • ISBN-10:  1316518841
  • ISBN-10:  1316518841
  • ISBN-13:  9781316518847
  • ISBN-13:  9781316518847
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  248
  • Pages:  248
  • Binding:  Hardcover
  • Binding:  Hardcover
  • SKU:  1316518841-11-MPOD
  • SKU:  1316518841-11-MPOD
  • Item ID: 107161040
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Sep 28 to Sep 30
  • Notes: Brand New Book. Order Now.
Making productive connections between musicology and Lied performance, this ground-breaking volume offers new routes of interpretative artistry and intellectual discovery.Leading musicologists and prominent German Lied performers collectively reveal productive connections between their two approaches, thereby opening doors to fresh and exciting modes of interpretative artistry and intellectual discovery. Investigates how historical, cultural and aesthetic research offer new perspectives on this important repertoire.Leading musicologists and prominent German Lied performers collectively reveal productive connections between their two approaches, thereby opening doors to fresh and exciting modes of interpretative artistry and intellectual discovery. Investigates how historical, cultural and aesthetic research offer new perspectives on this important repertoire.There seems to be an essential relationship between the performance and the scholarship of the German Lied. Yet the process by which scholarly inquiry and performative practices mutually benefit one another can appear mysterious and undefined, in part because any dialogue between the two invariably unfolds in relatively informal environments  such as the rehearsal studio, seminar room or conference workshop. Contributions from leading musicologists and prominent Lied performers here build on and deepen these interactions to reconsider topics including Werktreue aesthetics and concert practices; the authority of the composer versus the performer; the value of lesser-known, incomplete, or compositionally modified songs; and the traditions, habits and prejudices of song recitalists regarding issues like transposition, programming and dramatic modes of presentation. The book as a whole reveals the reciprocal relevance of Lied musicology and Lied performance, thereby opening doors to fresh and exciting modes of interpretative artistry and intellectual discovery.Introduction Benjamin Binder and Jennifer Ronyak; 1. InlË
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