This book attempts to understand what contemporary has meant, and should mean, for literary studies. The essays in this volume suggest that an attentive reading of recent global literatures challenges the idea that our contemporary moment is best characterized as a timeless, instantaneous now. The contributors to this book argue that global literatures help us to conceive of the contemporary as an always plural, heterogeneous, and contested temporality. Far from suggesting that we replace theories of an omnipresent end of history with a traditional, single, diachronic timeline, this book encourages the development of such a timelines rigorous inverse: a synchronic, multi-faceted and multi-temporal history of the contemporary in literature, and thus of contemporary global literatures. It opens up the concept of the contemporary for comparative study by unlocking its temporal, logical, political, and ultimately aesthetic and literary complexity.
1. Introduction: Contemporaneity: On Refusing to Live in the Moment; Sarah Brouillette, Emilio Sauri, and Mathias Nilges.- 2. The Landowners Ghosts: Realism and Financialization in Contemporary Latin American Fiction; Ericka Beckman.- 3. Special Period-izing Cuba: Limits of the Past Perfect; Jonathan Dettman.- 4. Autonomy after Autonomy, or the Novel beyond Nation: Roberto Bola?os 2666; Emilio Sauri.- 5. #YOLO; Sarah Brouillette.- 6. Capitalisms Long-Spiral: Periodicity, Temporality, and the Global Contemporary in World-Literature; Sharae Deckard.- 7. The Technical Composition of Conceptualism; Joshua Clover.- 8. The Multitemporal Contemporary: Colson Whiteheads Presents; Daniel Grausam.- 9. Periodizing the Anglophone African Novel: Location(s) in a Transnational Literary Marketplace; Madhu Krishnan.- 10. Juggling the Dialectic: The Abyss of Politics in Chris Abanis Fiction;&l*