Literature and the Law of Nations, 1580-1680 [Hardcover]

Literature and the Law of Nations, 1580-1680is a literary history of international law, which seeks to revise the ways scholars understand early modern English literature in relation to the history of international law.In this groundbreaking study, Christopher Warren argues that early modern literary genres were deeply tied to debates about global legal order and that today's international law owes many of its most basic suppositions to early modern literary culture.Literature and the Law of Nationsshows how the separation of scholarship on law from scholarship on literature has limited the understanding of international law on both sides. Warren suggests that both literary and legal scholars have tacitly accepted tendentious but politically consequential assumptions about whether international law is real law.Literature and the Law of Nationsrecognizes the specific nature of early modern international law by showing how major writers of the English Renaissance-including Shakespeare, Milton, and Hobbes-deployed genres like epic, tragedy, comedy, tragicomedy, and history to shore up the canonical subjects and objects of modern international law. Warren demonstrates how Renaissance literary genres informed modern categories like public international law, private international law, international legal personality, and human rights. Students and scholars of Renaissance literature, intellectual history, the history of international law, and the history of political thought will find inLiterature and the Law of Nationsa rich interdisciplinary argument that challenges the usual accounts by charting a new literary history of international law.The Stakes of International Law and LiteratureFrom Epic to Public International Law: Philip Sidney, Alberico Gentili, and Intercourse Among Enemies Jacobean Comedy and the Anagnorisis of Private International LawThe Tragicomic Law of Nations: The Winter's Tale and the UnionFrom Imperial History tolĪ