The Viennese art scene of the late-nineteenth and early twentieth century counted French impressionism among its chief influences. Widely regarded as the movement’s formative figure, Monet’s works appeared in all the major galleries of the day, including the Künstlerhaus Wien, the Secession Building, and the legendary Galerie Miethke, earning him distinction as the most influential of the French impressionists, along with Édouard Manet.
ForLooking at Monet,Agnes Husslein-Arco and Stephan Koja of the Belvedere Gallery in Vienna have assembled works by Monet, presenting them alongside selected paintings and photographs by Austrian artists active throughout the same period who would have been familiar with Monet’s work. Among the artists whose work is included are Gustav Klimt, Emil Jakob Schindler, Oskar Kokoschka, Olga Wisinger-Florian, Heinrich Kühn, and Ludwig Heinrich Jungnickel.
Brilliantly colorful and filled with light, Monet’s paintings captivate modern audiences.Looking at Monetshows they were equally beloved by the artist’s contemporaries—many of whom were great masters in their own right.
Agnes Husslein-Arcois an art historian and director of the Belvedere Gallery in Vienna, whereStephan Kojais a curator.
Agnes Husslein-Arco
FOREWORD
Stephan Koja
"... I WANT THE IMPOSSIBLE….”
CLAUDE MONET AND THE RENEWAL OF PAINTING
Stephan Koja
"ARE YOU ACTUALLY ALLOWED TO PAINT LIKE THAT?"
CLAUDE MONET'S WORK AS A CONSTANT SOURCE OF INSPIRATION
Bernadette Reinhold
"TODAY, IMPRESSIONISM IS TAKEN FOR GRANTED [...]"
PATHS OF THE MONET RECEPTION: EXHIBITIONS, JOURNEYS, REPORTS
Dominique de Font-Reaulx
IN THE LIGHT OF IMPRESSIONISM
THE OEUVRE OF AUSTRIAN PICTORIALIST PHOTOGRAPHERS