Out of the impoverished coal regions of Ukraine known as the Donbass, where Russian secret military intervention coexists with banditry and insurgency, the women of Yevgenia Belorusetss captivating collection of stories emerge from the ruins of a war, still being waged on and off, ever since the 2014 Revolution of Dignity. Through a series of unexpected encounters, we are pulled into the ordinary lives of these anonymous women: a florist, a cosmetologist, card players, readers of horoscopes, the unemployed, and a witch who catches newborns with a mitt. One refugee tries unsuccessfully to leave her broken umbrella behind as if it were a sick relative; a private caregiver in a disputed zone saves her elderly charge from the angel of death; a woman sits down on International Womens Day and can no longer stand up; a soldier decides to marry war. Belorusets threads these tales of ebullient survival with a mix of humor, verisimilitude, the undramatic, and a profound Gogolian irony. She also weaves in twenty-three photographs that, in lyrical and historical counterpoint, form their own remarkable visual narrative. A daring, unsettling book about displaced women telling luminous stories to survive the darkness that surrounds them. Belorusets, who came to fiction from photojournalism (her own images appear in the book), excels at building stories that serve as striking snapshots of livesstrange, beautiful, and absent the interpretative context that might render them neater and less unsettling. As it is, this singular collection brings Ukraine, the land of residual phenomena, entirely to life. Belorusets is interested in the histories of the defeated, of the unseen and unheard, and above all in the experiences of eastern Ukrainian women in wartime. [Her] willingness to exist between document and fiction is daring, even provocative. This is a moment when facts are both utterly compromised and vastly overvaluedasked to do all the work of politics, to justify whole worll\