Iranian history was long told through a variety of stories and legend, tribal lore and genealogies, and tales of the prophets. But in the late nineteenth century, new institutions emerged to produce and circulate a coherent history that fundamentally reshaped these fragmented narratives and dynastic storylines. Farzin Vejdani investigates this transformation to show how cultural institutions and a growing public-sphere affected history-writing, and how in turn this writing defined Iranian nationalism. Interactions between the state and a cross-section of Iranian societyscholars, schoolteachers, students, intellectuals, feminists, and poetswere crucial in shaping a new understanding of nation and history.
This enlightening book draws on previously unexamined primary sourcesincluding histories, school curricula, pedagogical materials, periodicals, and memoirsto demonstrate how the social locations of historians writ broadly influenced their interpretations of the past. The relative autonomy of these historians had a direct bearing on whether history upheld the status quo or became an instrument for radical change, and the writing of history became central to debates on social and political reform, the role of women in society, and the criteria for citizenship and nationality. Ultimately, this book traces how contending visions of Iranian history were increasingly unified as a centralized Iranian state emerged in the early twentieth century.
This excellent study examines the evolution of Iranian self-identification how Iranians went from viewing themselves as subjects of a shah to feeling like citizens of a nation . . . One of this study's many virtues is that it looks at Iranian agency from a comparative perspective. It argues that, unlike India, whose historians had to reclaim a past handed to them by their colonizers, and unlike Turkey with its rigidly secular ?tatist model imposed by Mustafa Kemal Atat?rk, Iran's history writing did not take placelC-