Throughout the nineteenth century, hand-painted plaster replicas of historical objects were manufactured for use in museums that sought to bring together all the world’s masterpieces under one roof. Among the oldest and largest manufacturers was the Replica Workshop in Berlin, whose supply of plaster casts now comprises more than seven thousand sculptures that continue to be produced for museums and private collections through the use of artistry and workmanship handed down over generations.
Plasterwork Masterpiecespays tribute to the art of plaster casting through a carefully curated catalog of the workshop’s most admired sculptures from art and archaeology, including theLaocoön Groupand Rodin’s famedThe Thinker. Opening an important Berlin institution to the public, the works included here offer a fascinating journey through the various cultures from antiquity to the present.
Miguel Helfrichis director of the Replica Workshop at the National Museums of Berlin.
Foreword
Prehistory and Early History
A Short History of the Plaster Cast until 1819
Egypt
Born from the Mould: The Genesis of Gipsformerei
Ancient Near East
How Is a Plaster Cast Made?
Antiquity
Of Copied Originals and Original Copies
From around the World
Crocodiles, Renaissance Princesses and Greek Gods: The Inventory of the Gipsformerei through the Ages
The Middle Ages and the Renaissance
Destroyed, Lost, Stolen—and Still Not Completely Lost: The Gipsformerei as an Art Archive
The 19th Century
Historic Price Lists and Catalogues of the Gipsformerei
Reference Literature
Photographic Credits