Medieval and Renaissance Drama in England: Volume 37 [Hardcover]

Medieval and Renaissance Drama in Englandis an annual volume committed to the publication of essays and reviews related to English drama and theater history to 1642. An internationally recognized board of scholars oversees the publication ofMaRDiE. Readers who wish to deepen their understanding of early drama will find that the journal publishes wide-ranging discussions not only of plays and early performance history, but of topics pertaining to cultural history, as well as manuscript studies and the history of printing.Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theatre history to 1642, covering not only plays and early performance history, but of topics relating to cultural history, as well as manuscript studies and the history of printing.

S. P. Cerasanois the Edgar W. B. Fairchild Professor of Literature at Colgate University.
Heather Anne Hirschfeldis distinguished professor of the humanities in the Department of English at the University of Tennessee.
Edward Gieskesis professor of English at the University of South Carolina.

Articles
Thierry and Theodoret: Censorship, Allegory and Plausible Deniability
Richard Dutton
In rugged verse vile matters to contain:The Devils Charteras Antipasquinade
James Mardock
The Origins of Repertory in English Drama, or, How to Find Needles in Haystacks
Laurie Johnson
Not like the Others:The Three Lords and Ladies of Londonand the Queens Men Repertory
Erin Kelly
Was Christopher Marlowe a Capitalist?: The Croxton Play of the Sacrament,The Jew of Malta, and Stories of Economic Change
Bradley Ryner
The Wars of Cyrus: Date and Authorship, and Why They Matter
Michael J. Hirrel
Gone and Loste: Tracing Philip Henslowes 1598 Theatrical Inventories
Anouska Lest