This book explores how Modernist movements all across the Mediterranean basin differed from those of other regions. The chapters show how the political and economic turmoil of a period marked by world war, revolution, decolonization, nationalism, and the rapid advance of new technologies compelled artists, writers, and other intellectuals to create a new hybrid Mediterranean Modernist aesthetic which sought to balance the tensions between local and foreign, tradition and innovation, and colonial and postcolonial.
.Introduction: Fernand Braudel and the Invention of a Modernists Mediterranean Adam J. Goldwyn and Ren?e M. Silverman.-
.Part I: Personal Reflections on the Multi-Cultural Mediterranean.- .
1 Mafarka Before Being a Futurist: The Intimate Egypt in the Writings of F.T. Marinetti Nadine Makram Wassef.-
.2 Marginal Modernists: Claude McKay, Panait Istrati, and the Minor Mediterranean Charles Sabatos.-
.3 Mediterranean Crossroads: the Spanish University Cruise, 1933Juan Herrero-Sen?s.-
.4 Catalan Political Modernism: The Case of Gabriel Alomar i Villalonga (18731941) and Modernism on the Periphery David W. Bird.-
.5 Geopoetics and Historical Modernism: Gertrude Stein, Laura Riding and Robert Graves in Mallorca, 19121936 Anett Jessop.- .6 A Scent of Jasmine from the Sea? Representations of Tunis in &ll#;