Memory and Narrative Ethics: Holocaust Testimony, Fiction, and Film [Hardcover]

This book explores how different forms of narrative maintain and extend our knowledge of the Holocaust at this critical moment in history when the last survivors are passing away. Arguing that it is essential not to forget the historical event of the Holocaust, the book shows that our memory of the Holocaust is increasingly a cultural memory transmitted through, and shaped by, the media - including film and TV series. The verbal narratives and film narratives discussed in this book demonstrate that literature and film can be constructive responses to the ethical challenge of remembering the Holocaust.This book explores how different forms of narrative maintain and extend our knowledge of the Holocaust at this critical moment in history, when the last survivors are passing away. It develops and uses an original approach that combines key aspects of narrative studies, memory studies, narrative ethics, narrative hermeneutics, and narrative psychology. The book shows that testimony, narrative fiction, and film play a key role in forming our individual and collective memory of Nazi Germany's mass murder of six million Jews. Inspired by narrative hermeneutics, these narrative analyses are linked to and supplement one another in a historicizing movement.After having discussed testimonies given by four Jewish women in Chapter 1, Chapters 2 and 3 analyze three nonfiction films, Leni Riefenstahl'sTriumph of the Will(1935), Alain Resnais'sNight and Fog(1956), and Claude Lanzmann'sShoah(1985). Chapters 4-7 discuss four novels and one film that, albeit in different ways and more or less directly, are framed and characterized by the historical event of the Holocaust: Jonathan Littell'sThe Kindly Ones(2006), Kazuo Ishiguro'sThe Remains of the Day(1989), James Ivory's film adaptationThe Remains of the Day(1993), W. G. Sebald'sAusterlitz(2001), and Jenny Erpenbeck'sThe End of Days(2012). The interpretations demol(