In 1933, Victor Serge was arrested by Stalin’s police, interrogated, and held in solitary confinement for more than eighty days. Released, he spent two years in exile in remote Orenburg. These experiences were the inspiration for Midnight in the Century, Serge’s searching novel about revolutionaries living in the shadow of Stalin’s betrayal of the revolution. 
Among the exiles gathered in the town of Chenor, or Black-Waters, are the granite-faced Old Bolshevik Ryzhik, stoic yet gentle Varvara, and Rodion, a young, self-educated worker who is trying to make sense of the world and history. They struggle in the unlikely company of Russian Orthodox Old Believers who are also suffering for their faith. Against unbelievable odds, the young Rodion will escape captivity and find a new life in the wild. Surviving the dark winter night of the soul, he rediscovers the only real, and most radical, form of resistance: hope. 
Fiction, for Serge, is truth—the truth of self-transcendence, the obligation to give voice to those who are mute or who have been silenced… . The presumptive case for exempting Serge from the oblivion that awaits most heroes of truth lies, finally, in the excellence of his fiction.  —Susan Sontag
Whatever he wrote, including his fiction, was a kind of personal history of the Left, in haste, in bloody ink, on bandages. Like Koestler in Darkness at Noon, Serge seems to be saying that man, the particular, is more important than mankind, the abstraction.  —John Leonard, The New York Times
Victor Serge was, and remains, unique: the only novelist to describe successfully, from the inside, the now long-lost milieu of the socialist movement in Europe, its Soviet product, and its destruction by Stalinism. He has been described aslB