Modernists And Mystics [Hardcover]

Though the figures associated with the Modernist crisis in Roman Catholicism are normally viewed as looking forward in terms of critical history and philosophy, they also looked back in history to the church's mystical tradition. Modernists and Mystics is the first book to tell the story of the Modernist turn to the mystical. It focuses on four diverse modernist-era figures--Friedrich von H?gel, Maurice Blondel, Henri Bremond, and Alfred Loisy--and explores their understanding of mysticism and their relationship to mystics.

In the six original essays included in this volume, the authors discuss how von H?gel, Blondel, Bremond, and Loisy all found inspiration in the great mystics of the past. These figures drew inspiration from F?nelon, seeing parallels between the Quietist controversy in which he was deeply involved and the crisis affecting Catholicism in their own day. For them, the reaction against Quietism represented the beginning of a definitive narrowing and suffocating of Catholicism as a living religious tradition. This constriction and hyper-intellectualization of the tradition culminated in the established neo-scholasticism of late nineteenth and early twentieth-century manuals of theology. These Modernists opposed the marginalization of the mystical element in religion as well as the consequences that followed from it, and they argued for the restoration of the mystical in the Catholicism of their own time.

Modernists and Mystics also locates these theologians in the larger debates within Catholicism and within the secular academy. Albert Houtin's approach to mysticism in his biography of C?cile Bruy?re of Solesmes represents a reductive reading of the phenomenon, indebted to the theories of J.-M. Charcot. Loisy's debate with Henri Bergson in the 1930s provides a sense of how mysticism was viewed in the French University. Both von H?gel and Bremond contributed to the widening of Catholic horizons regarding the p