This book critically engages with and extends international approaches to progressing real-world and scholarly change within the museum sector by undertaking a series of ecologizing experiments to rework the possible relations between things and people using a series of museum, collection, theoretical and exhibition case studies.
'There is now no doubt regarding the epochal, world-shaping significance of the curatorial practices of late eighteenth and nineteenth century museums. With a matching boldness of vision, Fiona Cameron now calls on museums to play a world-saving role by curating for planet habitability. Better still, in identifying the intellectual and institutional challenges this entails, she also shows how these might best be met. A timely manifesto for the contribution museums might make to addressing the crises produced by our relations to the more-than-human worlds that press upon us with increasing force.'
Tony Bennett, Emeritus Professor, Social and Cultural Theory, Institute for Culture and Society, Western Sydney University, Australia
'This book offers a timely posthumanist provocation for students of, and practitioners in, museums. A fierce critique of humanist museum practices and theories, the book challenges us to take account of emerging practices in museums in the 21st century. Neither what museums are nor what they are becoming remain the same after its reading. With a deep commitment to more-than-human worlds, the book offers theoretical grounding for museum activism in the face of climate and planetary crisis. This book is a testament to Fiona Camerons longstanding engagement with difficult topics in museums and provide researchers, practitioners, and students alike with new tools for analyses and action.'
Brita Brenna,lu