Music for Analysis: Examples from the Common Practice Period and the Twenty-First Century [Paperback]

.Offering over 475 pieces of music from the Baroque period to the present,Music for Analysis, Ninth Edition, is the most comprehensive anthology of its kind. The book is organized by music theory concept, so it can easily be linked to any introductory theory course. The authors do not prescribe any system of analysis, allowing individual instructors to follow their own preferences with their students. Ample room for student work eliminates the need for a separate workbook or to purchase score paper.Part I Diatonic Materials1. Tonic Triad2. Dominant Triad in Root Position3. Dominant Seventh and Ninth in Root Position4. Subdominant Triad in Root Position5. Cadential Tonic Six-Four Chord6. Tonic, Subdominant, and Dominant Triads in First Inversion7. Supertonic Triad8. Inversions of the Dominant Seventh Chord9. Linear (Embellishing) Six-Four Chords10. Submediant and Mediant Triads11. Leading Tone Triad12. Variant Qualities of Diatonic TriadsScalar Variants in MinorModal Borrowing13. Supertonic Seventh Chord14. Leading Tone Seventh Chord15. Other Diatonic Seventh Chords16. Complete Pieces for Analysis IPart II Chromatic Materials17. Secondary (Applied, Borrowed) Dominants18. Modulation to Closely Related KeysModulation to DominantModulation to Relative MajorModulation to Other Closely Related Keys19. Complete Pieces for Analysis II20. Linear (Embellishing) Diminished Seventh Chords21. Neapolitan Triad22. Augmented Sixth Chords, Submediant Degree as Lowest NoteItalianGermanFrenchEnharmonic German23. Augumented Sixth Chords, Other Scale Degrees as Lowest Note24. Augumented Sixth Chords, Other UsesLinearSecondaryAltered Dominants25. Other Means of Modulation26. Ninth ChordsDominant NinthsSecondary Dominant NinthsNondominant Ninths27. Extended Linear Usages28. Complete Pieces for Analysis III29. Examples of CounterpointPart III Contemporary Materials30. Extended and Altered Tertian Harmony31. Diatonic (Church) Modes32. Pandiatonicism and Additive Harmony33. Exotic (lc-