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Musical Theatre at the Court of Louis XIV Le Mariage de la Grosse Cathos [Paperback]

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  • Category: Books (Performing Arts)
  • ISBN-10:  0521020220
  • ISBN-10:  0521020220
  • ISBN-13:  9780521020220
  • ISBN-13:  9780521020220
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  360
  • Pages:  360
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2005
  • Pub Date:  01-May-2005
  • SKU:  0521020220-11-MPOD
  • SKU:  0521020220-11-MPOD
  • Item ID: 100838859
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jan 20 to Jan 22
  • Notes: Brand New Book. Order Now.
This book reproduces the entire manuscript of the ballet and provides a comprehensive study of the work itself and of the circumstances in which it was created and performed.Dance played a major role in all French Baroque theatrical entertainments. Le Mariage de la Grosse Cathos, a short ballet performed at the court of Louis XIV, is of major importance, largely because it has survived complete in all its components - choreography, music, and text - and also because it uses a previously unknown dance notation system. This book reproduces the entire manuscript of the ballet and provides a comprehensive study of the work itself and of the circumstances in which it was created and performed.Dance played a major role in all French Baroque theatrical entertainments. Le Mariage de la Grosse Cathos, a short ballet performed at the court of Louis XIV, is of major importance, largely because it has survived complete in all its components - choreography, music, and text - and also because it uses a previously unknown dance notation system. This book reproduces the entire manuscript of the ballet and provides a comprehensive study of the work itself and of the circumstances in which it was created and performed.Dance played a major role in all French Baroque theatrical entertainments. Le Mariage de la Grosse Cathos, a short ballet performed at the court of Louis XIV, is of major importance, largely because it has survived complete in all its components - choreography, music, and text - and also because it uses a previously unknown dance notation system. This book reproduces the entire manuscript of this ballet and provides a comprehensive study of the work itself and of the circumstances in which it was created and performed. Chapters devoted to the composer, choreographer, and performers provide a framework for understanding the performance context not only of this work, but of other court entertainments of the period. A study and evaluation of the notation system in which thló‰
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