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Nancy Meyers [Paperback]

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  • Category: Books (Performing Arts)
  • Author:  Jermyn, Deborah
  • Author:  Jermyn, Deborah
  • ISBN-10:  1501358901
  • ISBN-10:  1501358901
  • ISBN-13:  9781501358906
  • ISBN-13:  9781501358906
  • Publisher:  Bloomsbury Academic
  • Publisher:  Bloomsbury Academic
  • Pages:  272
  • Pages:  272
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Feb-2019
  • Pub Date:  01-Feb-2019
  • SKU:  1501358901-11-MPOD
  • SKU:  1501358901-11-MPOD
  • Item ID: 103752071
  • Seller: ShopSpell
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Nancy Meyers is acknowledged as the most commercially successful woman filmmaker of all time, described by Daphne Merkin inThe New York Timeson the release ofIt's Complicatedas a singular figure in Hollywood  [she] may, in fact, be the most powerful female writer-director-producer currently working . Yet Meyers remains a director who, alongside being widely dismissed by critics, has been largely absent in scholarly accounts both of contemporary Hollywood cinema, and of feminism and film. Despite Meyers' impressive track record for turning a profit (including the biggest box-office return ever achieved by a woman filmmaker at that timeforWhat Women Wantin 2000), and a multifaceted career as a writer/producer/director dating back to her co-writingPrivate Benjaminin 1980, Meyers has been oddly neglected by Film Studies to date.

Including Nancy Meyers in the Bloomsbury Companions to Contemporary Filmmakers rectifies this omission, giving her the kind of detailed consideration and recognition she warrants and exploring how, notwithstanding the challenges authorship holds for feminist film studies, Meyers can be situated as a skilled 'auteur'. This book proposes that Meyers' box-office success, the consistency of style and theme across her films, and the breadth of her body of work as a writer/producer/director across more than three decades at the forefront of Hollywood, (thus importantly bridging the second/third waves of feminism) make her a key contemporary US filmmaker. Structured to meet the needs of both the student and scholar, Jermyn's volume situates Meyers within this historical and critical context, exploring the distinctive qualities of her body of work, the reasons behind the pervasive resistance to it and new ways of understanding her films.

Deborah Jermynis a Reader in Film and Television at Roehampton University, UK. She is the author and editor of numerous books exploring women, feminism and popular cultlCp
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