This book examines how concepts of citizenship have been negotiated in Anglophone Canadian literature since the 1970s. Katja Sarkowsky argues that literary texts conceptualize citizenship as political co-actorship and as cultural co-authorship (Boele van Hensbroek), using citizenship as a metaphor of ambivalent affiliations within and beyond Canada. In its exploration of urban, indigenous, environmental, and diasporic citizenship as well as of citizenships growing entanglement with questions of human rights, Canadian literature reflects and feeds into the terms conceptual diversification. Exploring the works of Guillermo Verdecchia, Joy Kogawa, Jeannette Armstrong, Maria Campbell, Cheryl Foggo, Fred Wah, Michael Ondaatje, and Dionne Brand, this text investigates how citizenship functions to denote emplaced practices of participation in multiple collectives that are not restricted to the framework of the nation-state.
1.Recognition, Citizenship, and Canadian Literature
1.1 Approaching Citizenship and Literature
1.2 Recognition, Multiculturalism, Difference: Critical Debates on Belonging
1.3 Conceptualizing Citizenship: Membership and Belonging
1.4 Citizenship and Canadian Literature
1.5 Outline of this Study
2. This is my own!: Negotiating Canadian Citizenship in Joy Kogawas Novels
2.1 National Belonging and the Violation of Citizens Rights
2.2 Struggling for Recognition: Japanese Canadian Citizens
2.3 The Urgency of History
2.4 Family Feuds: Writing the Redress Movement
2.5 Citizenship, Recognition, and the Shift from the National to the Transnational
2.6 Citlsh