This study examines the full range of Carlos Fuentes' art, from the critical realism of his early novels to his highly experimental novels of the late sixties, and to his novels from the eighties where national identities are playfully evoked and largely dismantled through intertextual games, migrations of people and ideas
Introduction
1. First novels
2. Serious games
3. Nationalism unwritten
4. Novella cycles
Bibliography
Steven Boldy is a Reader in Latin American Literature in the Department of Spanish and Portuguese, University of Cambridge