The concept of nothing was an enduring concern of the 20th century. As Martin Heidegger and Jean-Paul Sartre each positioned nothing as inseparable from the human condition and essential to the creation or operation of human existence, as Jacques Derrida demonstrated how all structures are built upon a nothing within the structure, and as mathematicians argued that zero the number that is also
nota number allows for the creation of our modern mathematical system,
Narratives ofNothing in 20th-Century Literaturesuggests that nothing itself enables the act of narration. Focusing on the literary works of Vladimir Nabokov, Samuel Beckett, and Victor Pelevin, Meghan Vicks traces how and why these writers give narrative form to nothing, demonstrating that nothing is essential to the creation of narrative that is, how our perceptions are conditioned, how we make meaning (or madness) out of the stuff of our existence, how we craft our knowable selves, and how we exist in language.
Acknowledgments
Chapter Zero:Introduction: Nothing and the Twentieth Century
Odysseus :Outis
Kh?ra: Socrates : Knowing Nothing
Much Ado About Nothing
Narratives of Nothing
Chapter One:Theorizing Nothing
Zero
Nothing and Being: Heidegger and Sartre
Nothing and Narrative: Nietzsche, Derrida, Bakhtin, and Kristeva
Chapter Two:Akaky Akakievich and Bartleby
Akaky Akakievich
Bartleby
Chapter Three:Working in a Void: Vladimir Nabokov and the Semiotics of Nothing
MuzhiksWorking in a Void
The Otherworld and Loss
The Real Life of Sebastian Knight: Reality as Nothing and the Aesthetics of Failure
Signs and Symbols: Patterning and Nothing
Chapter Four:Samuel Beckett: Immanence, Language, Nothing
Nothing happens, more than once
Critical Approaches to Beckett and Nothils$