Networks of Reception in the Eighteenth-Century British Press and Laurence Sterne [Paperback]

The Element provides a case study for exploring the criticism and creativity generated by eighteenth-century periodicals.Using a case study, this Element explores the criticism and creativity generated by eighteenth-century periodicals in Britain. The press harboured the reviewing cultures belonging to the emerging professionalisation of literary criticism. It also provided highly fertile ground for creativity, while critical reviews often incorporated parody.Using a case study, this Element explores the criticism and creativity generated by eighteenth-century periodicals in Britain. The press harboured the reviewing cultures belonging to the emerging professionalisation of literary criticism. It also provided highly fertile ground for creativity, while critical reviews often incorporated parody.Criticism and creativity characterised literary reception in eighteenth-century Britain. The press  periodicals, newspapers, and magazines  harboured the reviewing cultures belonging to the emerging professionalisation of literary criticism. It also provided highly fertile ground for creativity, including imitative items inspired by new publications, while critical reviews often incorporated parody. The press fostered experimentation among often anonymous reader-contributors, even while it facilitated the establishment of 'classic' works by recirculating well-known authors' names. Laurence Sterne's reception was energetically shaped by the interaction between critical and creative responses: the press played a major role in forging his status as an 'inimitable' author of note.1. Introduction: networks of reception; 2. Reviewing cultures; 3. Excerpt culture; 4. Creative reception; 5. Conclusion: Creating classics through the press; Bibliography.