Foreword?Introduction: Prying with Intent: The Prose Poetics of Creative Writing Research?1. Performances in Contradiction: Facilitating a Neosophistic Creative Writing Workshop?2. Creative Writing: A Newtonian Thought?3. Unconscionable Mystification?: Rooms, Spaces and the Prose Poem?4. Thoughts are creative writing?5. Screenwriting studies, screenwriting practice and the screenwriting manual?6. Creative writing, as it happens: the case for unpredictability?7. The writer and meta-knowledge about writing: threshold concepts in creative writing?8. Flight?9. Cognitive poetics and creative practice: beginning the conversation?10. Structuring empathy?11. Creative work as scholarly work?12. Why our responses matter?13. Shifting the power dynamics in the Creative Writing workshop: assessing an instructor as participant model?14. Creative writing on other planets?15. Different ways of descending into the crypt: methodologies and methods for researching creative writing?16. Forms of illumination?17. Retooling workshops of empire: globalising creative writing with an edge?18. New types of intelligence relevant to creative writers?19. English-language creative writing in a Chinese context: translation as a supplement?20. An Agreeable Crest: The New Writing 20th Anniversary Year Conclusion: Intentional Echoes
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Graeme Harper is Editor of New Writing: The International Journal for the Practice and Theory of Creative Writing. He is author of such l#+