An examination of the world of Vienna and the opera buffa in the eighteenth-century.This collection of essays, presented by an internationally known team of scholars, explores the world of Vienna and the development of opera buffa in the second half of the eighteenth-century. Among the topics explored are the relationship of Viennese opera buffa to French theatre; Mozart and eighteenth-century comedy; gender, nature and bourgeois society on Mozart's buffa stage; as well as close examinations of key works such as Don Giovanni and Figaro.This collection of essays, presented by an internationally known team of scholars, explores the world of Vienna and the development of opera buffa in the second half of the eighteenth-century. Among the topics explored are the relationship of Viennese opera buffa to French theatre; Mozart and eighteenth-century comedy; gender, nature and bourgeois society on Mozart's buffa stage; as well as close examinations of key works such as Don Giovanni and Figaro.This collection of essays, presented by an internationally known team of scholars, explores the world of Vienna and the development of opera buffa in the second half of the eighteenth century. Among the topics explored are the relationship of Viennese opera buffa to French theater; Mozart and eighteenth century comedy; gender, nature and bourgeois society on Mozart's buffa stage; as well as close examinations of key works such as Don Giovanni and Figaro.Notes on contributors; Acknowledgements; Introduction Mary Hunter and James Webster; Part I. Historical and Literary Contexts: 1. Goldoni, opera buffa, and Mozart's advent in Vienna Daniel Heartz; 2. Lo specchio francese: Viennese opera buffa and the legacy of French theatre Bruce Alan Brown; 3. Il re alla caccia and Le roi et le fermier: Italian and French treatments of class and gender Marvin Carlson; 4. Mozart and eighteenth-century comedy Paolo Gallarati; Part II. Social and Generic Meanings: 5. The sentimental muse of opera buffa El#(