Exploring the developments that have occurred in the practice of oral history since digital audio and video became viable, this book explores various groundbreaking projects in the history of digital oral history, distilling the insights of pioneers in the field and applying them to the constantly changing electronic landscape of today.Introduction Douglas A. Boyd and Mary A. Larson Part I - Orality/Aurality Chapter 1: Oral History in the Age of Digital Possibilities by William Schneider Chapter 2: WHY DO WE CALL IT ORAL HISTORY? Refocusing on Orality/Aurality in the Digital Age by Sherna Berger Gluck Chapter 3: Adventures in Sound: Aural History, the Digital Revolution, and the Making of I Can Almost See the Lights of Home: A Field Trip to Harlan County Kentucky by Charles Hardy III Chapter 4: 'I Just Want to Click on it to Listen': Oral History Archives, Orality and Usability by Douglas A. Boyd Part II Discovery and Discourse Chapter 5: Beyond the Transcript: Oral History as Pedagogy by Marjorie McLellan Chapter 6: Notes from the Field: Digital History and Oral History by Gerald Zahavi Chapter 7: Densho: The Japanese American Legacy Project by Tom Ikeda Chapter 8: Deconstruction without Destruction: Creating Metadata for Oral History in a Digital World by Elinor Maz? Chapter 9: 'We All Begin with a Story': Discovery and Discourse in the Digital Realm by Mary A. Larson Part III - Oral History and Digital Humanities Perspectives Chapter 10: Swimming in the Exaflood: Oral History as Information in the Digital Age by Stephen Sloan Chapter 11: [o]ral [h]istory and the [d]igital [h]umanities by Dean RehbergerWilliam Schneider, University of Alaska Fairbanks, USASherna Berger Gluck, California State University Long Beach, USACharles Hardy III, West Chester University, USAGerald Zahavi, SUNY Albany, USAMarjorie McLellan, Wright State University, USATom Ikeda, Densho Project, USADean Rehberger, Michigan State University, USAElinor Maz?, Baylor Univlsh