In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music, theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of borderlands. This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology.
Performing the US Latina and Latino Borderlandsis a vital addition to the growing body of scholarship focused on the performatics of border-crossers, bordernatives, and border-inhabitants as necessary sources of knowledge.
Arturo J. Aldama is Associate Professor of Latino and Ethnic Studies, University of Colorado at Boulder.
Chela Sandoval is former Chair and Associate Professor of Critical Theory in the Department of Chicana and Chicano Studies at University of California, Santa Barbara.
Peter J. Garc?a is Associate Professor of Chicana/o Studies and Musics at California State University, Northridge.
This timely volume utilizes a growing body of scholarship in the field of performance studies, while filling in significant gaps and expanding the objects of study in the area of Latina performance. The editors have selected a wide range of essays that represent a splendid array of topics and themes of intrinsic interest to the field.I would recommend this book for scholars interested in learning about diverse ways that marginalized populations seize the tools of performance and alter them to shift the story. . . Each chapter contains enough cultural context for scholars unfamiliar with Latina/o Studies and enough entertaining performance for everyone.This collection brings together a wealth of Latino StudilC1