Pious Nietzsche: Decadence and Dionysian Faith [Paperback]

Bruce Ellis Benson puts forward the surprising idea that Nietzsche was never a godless nihilist, but was instead deeply religious. But how does Nietzsche affirm life and faith in the midst of decadence and decay? Benson looks carefully at Nietzsche's life history and views of three decadents, Socrates, Wagner, and Paul, to come to grips with his pietistic turn. Key to this understanding is Benson's interpretation of the powerful effect that Nietzsche thinks music has on the human spirit. Benson claims that Nietzsche's improvisations at the piano were emblematic of the Dionysian or frenzied, ecstatic state he sought, but was ultimately unable to achieve, before he descended into madness. For its insights into questions of faith, decadence, and transcendence, this book is an important contribution to Nietzsche studies, philosophy, and religion.

A sustained and surprising reading finds Nietzsche to have been deeply religious

Bruce Ellis Benson is Associate Professor and Chair of the Philosophy Department at Wheaton College, Illinois. He is author ofGraven Ideologies: Nietzsche, Derrida, and Marion on Modern IdolatryandThe Improvisation of Musical Dialogue: A Phenomenology of Music. He is co-editor (with Kevin Vanhoozer and James K. A. Smith) ofHermeneutics at the Crossroads(IUP, 2006).

. . . Benson offers a decidedly new read of Nietzsche's piety, as one who . . . was deeply pious, although in a decidedly unorthodox way. . . Benson's thesis is carefully argued against the historical backdrop of Nietzsche's religious upbringing, blending together Nietzsche's early religious and musical aspirations, offering a new and convincing reading of his life and tears.Vol 35.2 June 2009

[T]his is a rewarding study. . . . Karl Jaspers observed that 'in the end one cannot help but ask how a man who is by no means representative can still become as overwhelmingly significant as though he spoke for humanity itself.' . . . this remark plS@