Using an in-depth Australian case-study, this book narrates the profound period of proliferation. It also considers how incumbent commercial networks, pay-TV providers, and public services broadcasters developed into online TV providers, albeit in assorted ways.?
Introduction. Part 1: Pivoting to Online TV 1. Proliferation: Subscription Video-On-Demand as Online TV 2. Agitation: Commercial TV as Online TV 3. Reinvention: Public Service Broadcasting as Online TV. Part 2: Producing for Online TV 4. The Dramas of Producing Australian Drama 5. Producing Television Drama for SVOD 6. Recommending Australia to the World. Conclusion
Dr Alexa Scarlata is Lecturer in Digital Communication at RMIT University, Melbourne. She is a scholar of media and cultural industries. Her research considers internet-distributed television, content production and national screen policy.
The introduction and diffusion of international subscription video-on-demand (SVOD) services in the 2010s represented the most significant disruption of established national broadcast and pay-TV ecologies in their long history. Using an in-depth Australian case study, this book narrates this profound period of proliferation. It also considers how incumbent commercial networks, pay-TV providers and public service broadcasters developed into online TV providers, albeit in assorted ways. In so doing, it conceives of the early impact of online TV (20152020) more broadly and acknowledges the role of both new and old TV players.
The industry-wide shift towards online TV over this period also impacted existing television drama production cultures. SVOD services provided a fruitful avenue for the distribution of existing archives and slowly began to support the production of new Australian content with an increasingly global focus. However, tlS&
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