This study suggests that Hugo von Hofmannsthal's early interest in the works of the French Symbolists had an inhibiting effect on his own poetry and contributed to the famous Chandos crisis in 1902.
Introduction Mapping the terrain: Symbolism in Vienna in the early 1890s Form and identity: Hofmannsthal and the Symbolist aesthetic 'Symbolismus: Meine Definitionen': early poems and the presence of Stefan George The consequences of Symbolism: hesitations, problems and a solution Taking stock: 'Das Gespr?ch ?ber Gedichte' Postscript and conclusion: Hofmannsthal and Rimbaud Notes Translations Biographical Notes Bibliography Index