The Politics of Age and Disability in Contemporary Spanish Film examines the onscreen construction of adolescent, elderly, and disabled subjects in Spanish cinema from 1992 to the present. Applying a dual lens of film analysis and theory drawn from the allied fields of youth, age, and disability studies, this study is set both within and against a conversation on cultural diversitywith respect to gender, sexual, and ethnic identitywhich has driven not only much of the past decades most visible and fruitful scholarship on representation in Spanish film, but also the broader parameters of discourse on post-Transition Spain in the humanities. Presenting an engaging, and heretofore under-explored, interdisciplinary approach to images of multiculturalism in what has emerged as one of recent Spains most vibrant areas of cultural production, this book brings a fresh, while still complementary, critical sensibility to the field of contemporary Peninsular film studies through its detailed discussion of six contemporary films (by Salvador Garc?a Ruiz, Achero Ma?as, Santiago Aguilar & Luis Guridi, Marcos Carnevale, Alejandro Amen?bar, and Pedro Almod?var) and supporting reference to the production of other prominent and emerging filmmakers.
Introduction: Framing Cultural Pluralism Anew in Contemporary Spanish Cinema Studies I. Adolescence and Alterity 1.The
Angry Girl in
Mensaka, P?ginas de una historia (
Mensaka, Pages from a Story )
(Salvador Garc?a Ruiz, 1998) 2. A Lad Indeed: Boyhood Friendship and the Politics of Masculinity in
El Bola (
Pellet )
(Achero Ma?as, 2000)
II. Senescence and Subjectivity 3.The Black Comedy of Aging in
Justino, un asesino de la tercera edad (