Analyses the role of drama in English and Scottish court politics during the sixteenth century.Greg Walker provides a new account of the relationship between politics and drama in the turbulent period from the accession of Henry VIII to the reign of Elizabeth I. Building upon ideas first developed in Plays of Persuasion (1991), he focuses on political drama in both England and Scotland, exploring the complex relationships between politics, court culture and dramatic composition, performance and publication.This interdisciplinary analysis will find a market among Tudor historians as well as students of Medieval and Renaissance drama.Greg Walker provides a new account of the relationship between politics and drama in the turbulent period from the accession of Henry VIII to the reign of Elizabeth I. Building upon ideas first developed in Plays of Persuasion (1991), he focuses on political drama in both England and Scotland, exploring the complex relationships between politics, court culture and dramatic composition, performance and publication.This interdisciplinary analysis will find a market among Tudor historians as well as students of Medieval and Renaissance drama.Greg Walker provides a new account of the relationship between politics and drama in the turbulent period from the accession of Henry VIII to the reign of Elizabeth I. Building on ideas first developed in Plays of Persuasion (1991), he focuses on political drama in both England and Scotland, exploring the complex relationships among politics, court culture and dramatic composition, performance and publication. This interdisciplinary analysis will find a market among Tudor historians as well as students of medieval and Renaissance drama.Acknowledgements; Abbreviations; Introduction; 1. Playing by the book: early Tudor drama and the printed text; 2. Household drama and the art of good counsel; 3. John Heywood and the politics of contentment; 4. Acting government: Sir David Lindsay's Ane Satyre of The Thriel35