This collection explores the centrality of The Whos classic album, and Franc Roddams cult classic film of adolescent life,
Quadrophenia to the recent cultural history of Britain, to British subcultural studies, and to a continuing fascination with Mod style and culture. The interdisciplinary chapters collected here set the album and film amongst critical contexts including gender and sexuality studies, class analysis, and the film and albums urban geographies, seeing
Quadrophenia as a transatlantic phenomenon and as a perennial adolescent story. Contributors view Quadrophenia through a variety of lenses, including the Whos history and reception, the 1970s English political and social landscape, the adolescent novel of development (the
bildungsroman), the perception of the film through the eyes of Mods and Mod revivalists, 1970s socialist politics, punk, glam, sharp suits, scooters and the Brighton train, arguing for the continuing richness of
Quadrophenias depiction of the adolescent dilemma. The volume includes new interviews with Franc Roddam, director of Quadrophenia, and the photographer Ethan Russell, who took the photos for the albums famous photo booklet.
1. Introduction: Dressed Right for a Beach Fight; Pamela Thurschwell.- Part One:
Quadrophenia in its Histories.- 2. Brighton Rocked: Youth, Politics and Social Change During the Early 1960s; Bill Osgerby.- 3. Who (the Fuck) are You? Out with the In Crowd in Quadrophenia (1973); Ben Winsworth.- 4. Discovering the Whos Mod Past: The American Reception of Quadrophenia; Christine Feldman-Barrett.- 5. Heat Wave: The Who, the Mods and the Cultural Turn; Sam Cooper.- Part Two: The Mobility of Mod: Class, Culture and Identity.- 6. Class, Youth and Dirty Jobs: The workingl³a