There is no dichotomy between the Realist or the Romantic novel, the English or the French novel, in Machados work. The differences are either resolved or overcome. In this, Machado found a way forward that we still follow . . . [Margaret] Jull Costas and [Robin] Pattersons success is apparent in how they refract the various language for the relationships personal, societal and historical that form the bedrock of the world of Quincas Borba. Parodic . . . A welcome, fresh translation of an overlooked classic, a superb novel of (bad) manners. A new translation of Machado de Assis, one of South Americas most celebrated (and wonderfully bizarre) writers is excellent news...Im looking forward to picking up this satire of wealth and progress. A new translation of the second volume of de Assiss so-called realist trilogy, originally published in 1891, highlights the great Brazilian novelists penchant for subverting narrative conventions . . . Mimicking a nineteenth-century novel of manners, de Assis offers a wry deconstruction of notions of social climbing . . . Quincas Borba anticipates the twentieth-century modernist novel and affirms the authors genius. A great ironist, a tragic comedian. . . . In his books, in their most comic moments, he underlines the suffering by making us laugh. In the sureness of pace, the ingratiating swerve, Machado is peerless. The creator of a tremendous oeuvre and an inimitable sense of humor. Another Kafka. A writer one hundred years ahead of his time.