The Red Rooster Scare Making Cinema American, 1900-1910 [Paperback]

Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Path? company's Red Rooster films could be found everywhere. Through extensive original research, Richard Abel demonstrates how crucial French films were in making going to the movies popular in the United States, first in vaudeville houses and then in nickelodeons.

Abel then deftly exposes the consequences of that popularity. He shows how, in the midst of fears about mass immigration and concern that women and children (many of them immigrants) were the principal audience for moving pictures, the nickelodeon became a contested site of Americanization. Path?'s Red Rooster films came to be defined as dangerously foreign and alien and even feminine (especially in relation to American subjects like westerns). Their impact was thwarted, and they were nearly excluded from the market, all in order to ensure that the American cinema would be truly American.

The Red Rooster Scareoffers a revealing and readable cultural history of American cinema's nationalization, by one of the most distinguished historians of early cinema.

Richard Abelis NEH Professor of English at Drake University and author ofThe Cin? Goes to Town: French Cinema, 1896-1914(California, 1994),French Film Theory and Criticism, 1907-1939(1988), andFrench Cinema: The First Wave, 1915-1929(1984).

This outstanding work offers a new description of the evolution of American cinema in the nickelodeon period. . . . With his usual groundbreaking research, Abel demonstrates the key role Path? films played in this transformation. . . . Although clearly of crucial importance to film studies and film history, this treatment of the issues of the rise of nationalism within the cinema should make the work of great interest to historians dealing with modern nationalism anl³2