Reel Photos: Balancing Art and Truth in Contemporary Film [Hardcover]

Even in an age when the photograph has changed from a physical object into a data file that can be easily manipulated, we tend to believe what we see. But photographs can and do lie. As an object in a film, a photographs meaning and function can be even more malleable and deceiving, as new developments in technology are altering how we perceive reality.

In Reel Photos: Balancing Art and Truth in Contemporary Film, Wendy Sterba examines the use of photographs in cinema to explore issues of objectivity, subjectivity, fabrication, and fact. This study first looks at the traditional use of the photograph in films such as Blow-Up and then considers similar issues as they relate to the search for truth in detective films like Along Came a Spider, The Bone Collector, and Forgotten. Subsequent chapters explore ambivalence and photographic objectification in films about art photography, including The Governess, Fur, and Closer. Other movies discussed include Inception, Paparazzi, Under Fire, and Somebody Has to Shoot the Picture.

By examining the function of the photograph in movies rather than the role of film photography as art, Sterba provides an innovative approach to cinema studies. Utilizing theory in an intelligent but easily understandable way, this book allows readers to re-examine the role of authorship and the value of authentic art. Reel Photos will appeal to students and scholars of cinema, as well as anyone interested in the aesthetics of art and truth in film.

1.1 Painting and dress in Blowup.
1.2 The blowup in Blowup.
1.3 Viewing the body in Blowup.
1.4 Woman in the park in Blowup.
1.5 Quizzical expression in Blowup.
1.6 Downcast look in Blowup.
2.1 First bathtub scene in Love Crimes.
2.2 Child Dana viewing sex games in Love Crimes.
2.3 Framing of second bathtub scene in Love Crimes.
2.4 Reverse shot of second tub sl“#