Revolution and Rebellion in Mexican Filmexamines Mexican films of political conflict from the early studio Revolutionary films of the 1930-50s up to the campaigning Zapatista films of the 2000s. Mapping this evolution out for the first time, the author takes three key events under consideration: the Mexican Revolution (1910-1920); the student movement and massacre in 1968; and, finally, the more recent Zapatista Rebellion (1994-present).
Analyzing films such asVamanos con Pancho Villa(1936),El Grito(1968), andCorazon del Tiempo(2008), the author uses the term 'political conflict' to refer to those violent disturbances, dramatic periods of confrontation, injury and death, which characterize particular historical events involving state and non-state actors that may have a finite duration, but have a long-lasting legacy on the nation. These conflicts have been an important component of Mexican film since its inception and include studio productions, documentaries, and independent films.
A study of the representation of political conflict in Mexican film.
Acknowledgements
Introduction
Chapter 1 War stories on Film: Chaos, Confusion and Creativity
Chapter 2 A Woman at War: Maria Felix
Chapter 3 Revisiting the Revolution: Mexico's independents challenge conventions
Chapter 4 Mexico 1968 on Film: Screening State Violence
Chapter 5 Zapata and the Zapatistas: Indigenous Heroes and Online Warriors
Chapter 6 Romance, History and Violence: the 1990s and 2000s
Conclusion
Bibliography
Filmography
Index
Niamh Thorntonis a Senior Lecturer in Hispanic Studies and Film at the University of Ulster, UK.
Thornton presents a fresh look at the history of cinema in Mexico that depicts the Revolution of 19010, the student movement of 1869, and the Zapatista rebellion of 1994 to the present. Thornton's book is not only a history, but a well-thought out criticism of the hlă3