As a rock critica lifelong fan who has had the privilege of seeing his passion become his professionI abhor the very notion that the music should be viewed as commerce as well as art, and that musicians need to think of branding to assure a long and fruitful career. But Elizabeth Barfoot Christian and the contributors to Rock Brands: Selling Sound in a Media Saturated Culture approach the issue as scientists and academics, setting aside the question of whether an artist should or shouldn't sell out, and instead offering a fascinating, insightful, and, yes, alternately inspiring and distasteful look at the the place where music and marketing intersect in the new millennium.Rock Brands offers an impressive analysis of the popular music industry at a pivotal moment in its history. Changes in technology and commerce are driving a revolution that's complicated, fascinating and a little bit scary. These 17 essays offer remarkable insight into the impact of this revolution on music, and they help explain what it means to American culture. The book leaves no popular music genre uncovered and critically examines the careers of many of the most important pop musicians of our day.Catching students where they are, immersed in pop culture, Dr. Christian and other authors explore communication theories through the prism of heavy metal, rock and roll, country, and other forms of music. She examines the continuing popularity of KISS, fueled by the cross-promotions engineered by Gene Simmons, for example, and challenges readers to figure out why we know certain names and not others. Weaving in such 21st century phenomena as reality shows, free file sharing (illegal downloading), and distinctive cell phone rings, she provokes critical thinking about matters many young people take for granted. One intriguing section, subtitled how religion and politics play in pop music culture, investigates the soft spirituality of Bon Jovi and the scary vibes of Marilyn Manson. This timely bló¤