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The Russian Twentieth Century Short Story A Critical Companion [Hardcover]

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  • Category: Books (Literary Criticism)
  • ISBN-10:  193484344X
  • ISBN-10:  193484344X
  • ISBN-13:  9781934843444
  • ISBN-13:  9781934843444
  • Publisher:  Academic Studies Press
  • Publisher:  Academic Studies Press
  • Pages:  400
  • Pages:  400
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-Dec-2009
  • Pub Date:  01-Dec-2009
  • SKU:  193484344X-11-MPOD
  • SKU:  193484344X-11-MPOD
  • Item ID: 100920144
  • List Price: $129.00
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  • Delivery by: Jan 18 to Jan 20
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The Twentieth Century Russian Short Story: A Critical Companion is a collection of the most informative critical articles on some of the best twentieth-century Russian short stories from Chekhov and Bunin to Tolstaya and Pelevin. While each article focuses on a particular short story, collectively they elucidate the developments in each authors oeuvre and in the subjects, structure, and themes of the twentieth-century Russian short story. American, European and Russian scholars discuss the recurrent themes of languages power and limits, of childhood and old age, of art and sexuality, and of cultural, individual and artistic memory. The book opens with a discussion of the short story genre and its socio-cultural function. This book will be of value to all scholars of Russian literature, the short story, and genre theory. Parts (Russian, McGill University) brings together an international group of scholars for an analysis of the Russian short story in the twentieth century. She considers first if there is something particular about the character Russian short story but leaves the reader to decide. The essays discuss writers well known in the West, such as Chekhov, Nabokov and Pasternak along with those not yet recognized outside Russia: Andrei Platonov, Yury Olesha, Isaak Babel, Abram Tertz, Vasili Shukshin, Varlan Shamalov, Tatiana Tolstaia, Lyudmila Petrushevskaia, Victor Erofeev, Andrei Bitov and Viktor Pelevin. One chapter is a translation of a story by Petrushevskaia. Some of the essays place the stories within Communist or pre-revolutionary society. Others are seen as a reflection of universal emotions. The themes of memory, childhood and loss appear often in the stories chosen for commentary. The authors speculate on whether there is a difference in the way these are treated by the Russian writers. This is an interesting study of both Russian writers and the form of the short story itself. &The content of this collection is timely and appropriate ten years ilƒ=
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