Providing one of the first book-length accounts of Samuel Beckett's poetry, this work illustrates how Beckett's poetry, and its failures, reconfigure the lyric form. Reading Beckett alongside nineteenth and twentieth century European poets such as H?lderlin, Mallarm?, Rimbaud, Montale, and Apollinaire, the book situates failure in the triangulation of the lyric impulse, subjectivity, and the human voice.
Beckett, in his poems, employs lyric tactics that range from deixis, parataxis, and caesura to specific kinds of timbre, resonances, and punctuations. These tactics situate the poetic voice in the liminal points between life and death, event and non-event, beginning and ending, and more broadly, between expression and failure. The book frames these liminalities under the rubric of 'lyric failure'.
Moving beyond the usual comparisons with his prose and drama, the study highlights failure as a generative force that structures Beckett's anti-expressive poetics.
Providing one of the first book-length accounts of Samuel Beckett's poetry, this book argues how Beckett's poetry reconfigures lyrical language to mark the emergence of an anti-expressive poetics.Mantra Mukimis a Marie Curie Postdoctoral Fellow (Eutopia-SIF) at CY Cergy Paris Universit?, France.
In a series of acute formalist encounters,Samuel Beckett's Lyric Failureexamines how ending, exhaustion, and failure manifest in Beckett's poetry. Working beyond the familiar paradox of failure / going on, failure is shown to be the ground and possibility of Beckett's poetry, opening to an alternative futurity. Mark Byron, Professor of Modern Literature, University of Sydney, Australia
Beckett's famous injunction, Fail better,has been so successful that it is now a universal catchphrase. Mantra Mukim's excellent study applies this paradoxical art of failure to Beckett's poetry by rewriting it as Fail to the letter. His original move dilSĖ