Sex and Film is a frank, comprehensive analysis of the cinema's love affair with the erotic. Forshaw's lively study moves from the sexual abandon of the 1930s to filmmakers' circumvention of censorship, the demolition of taboos by arthouse directors and pornographic films, and an examination of how explicit imagery invaded modern mainstream cinema.Acknowledgments Introduction 1. The 1930s: Mae West, Garbo, Harlow, Dietrich and the Coming of the Legion of Decency 2. Getting it Past the Bluenoses: The 1940s 3. The Kinsey Era: The 1950s 4. Pushing the Boundaries: Preminger the Rebel 5. This Property is Condemned: Tennessee Williams 6. Arthouse cinema: the New Explicitness 7. Sex ? la Fran?ais 8. World Cinema Strategies: Britain and America: The 1960s 9. World Cinema Strategies: Europe 10. No Fun Being a Pornographer: Ingmar Bergman and Nagisa Oshima 11. The 1970s: Exploitation Joins the Mainstream 12. Vixens and Valleys: Russ Meyer's Cinema 13. British Smut 14. The Porn Revolution 15. Sex in the Mainstream: The 80s and 90s 16. Anything Goes: the 21st Century 17. The End of Sex: The New Puritanism 18. Painful Odysseys Appendix 1 Appendix 2
'Forshaw gets under the skin of a topic. His writing is accessible and informed, dripping with detail, drawing on often surprising, striking and illuminating comparisons.' Dr Steven Peacock, Reader in Film and Television Aesthetics
'Barry Forshaw brings his knowledge, intelligence and, above all else, passion to each of his books that expertly offer fresh insights.' Stephen Jones, award-winning editor
'Forshaw is bang on about the films you already know but (even more importantly) makes you eager to track down and watch the lesser-known gems you haven't seen.' Anne Billson, film critic
'Forshaw offers fresh perceptions and quirky insights drawn from his considerable cultural range.' Ramsey Campbell, writer, film critic and editor
'Barry Forshaw's studies mlS9