Shaul Bassi is AssociateProfessor of English and Postcolonial Literature at Ca'Foscari University ofVenice, Italy. His publications include Visionsof Venice in Shakespeare, with Laura Tosi, and Experiences of Freedom in Postcolonial Literatures and Cultures, with Annalisa Oboe.
Introduction: Country Dispositions
Part I. Race
1) Iago's Race, Shakespeare's Ethnicities
2) Slav-ing Othello
3) Shakespeare, Nation, and Race in Fascist Italy
Part II. Politics
4) Neocon and Theoprog: The New Machiavellian Moment
5) Infinite Minds: Shakespeare and Giordano Bruno Revisited
6) Hamlet in Venice
Part III. Place
7) The Grave and the Ghetto: Shakespearean Places as Adaptations
8) Fixed Figures: the Other Moors of Venice
9) The Prison-House of Italy:
Caesar Must DieShaul Bassi is Associate Professor of English and postcolonial literature at Ca'Foscari University of Venice, Italy. His publications include
Visions of Venice in Shakespeare (with Laura Tosi) and
Experiences of Freedom in Postcolonial Literatures and Cultures (with Annalisa Oboe).
Shakespeares Italy and Italys Shakespeare revisits a classical topic from a new perspective, focusing on Shakespeares afterlife in Italy through the lens of place, race, and politics. From discussions of a Victorian racialist interpretation of Shakespeare that casts Iago as the archetypal Italian specimen to Fascist appropriations of Shakespeare to Paolo and Vittorio Tavianis film
Caesar Must Die, Shaul Bassi interrogates how Italy explains Shakespeare and how Shakespeare explains Italy. These peripheral events both illuminate singular potentialities of the plays and turn Shakespeare intol3#