A gritty, smoke-filled, and boozy account of musician Tom Waits’s formative decade in Los Angeles. Song Noirexamines the formative first decade of Tom Waits’s career, when he lived, wrote, and recorded nine albums in Los Angeles: from his soft, folk-inflected debut,
Closing Timein 1973, to the abrasive, surreal S
wordfishtrombonesin 1983. Starting his songwriting career in the seventies, Waits absorbed Los Angeles’s wealth of cultural influences. Combining the spoken idioms of writers like Kerouac and Bukowski with jazz-blues rhythms, he explored the city’s literary and film noir traditions to create hallucinatory dreamscapes. Waits mined a rich seam of the city’s low-life locations and characters, letting the place feed his dark imagination. Mixing the domestic with the mythic, Waits turned quotidian, autobiographical details into something more disturbing and emblematic, a vision of Los Angeles as the warped, narcotic heart of his nocturnal explorations.
Alex Harveyis a producer and director of programs including
Panoramaand
The Late Showfor the BBC. His films include
The Lives of Animalsand
Enter the Jungle. Based in Los Angeles, he regularly writes on literature, film, and music for the
London Review of Booksand
Los Angeles Review of Books.
"Harvey has done a fine, impassioned job of piecing together the bricolage from which this most elusive, self-mythologizing figure set about assembling that “down-and-out but amusing […] character” who happened to write some of the most interesting songs of his era, but who in the end had to be burned away by the man behind the mask, for whom restlessness, self-invention, and an open road had always been at the heart of it all."
"One can easily make the argument that musician, songwriter, and actor Tom Waits is the consummate chronicler of down-and-out life in Los Alƒy