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This study explores how Spanish American modernista writers incorporated journalistic formalities and industry models through the cr?nica genre to advance their literary preoccupations. Through a variety of modernista writers, including Jos? Mart?, Amado Nervo, Manuel Guti?rrez N?jera and Rub?n Dar?o, Reynolds argues that extra-textual elementssuch as temporality, the material formats of the newspaper and book, and editorial influenceanimate the modernista movements literary ambitions and aesthetic ideology. Thus, instead of being stripped of an esteemed place in the literary sphere due to participation in the market-based newspaper industry, journalism actually brought modernismo closer to the writers desired artistic autonomy. Reynolds uncovers an original philosophical and sociological dimension of the literary forms that govern modernista studies, situating literary journalism of the movement within historical, economic and temporal contexts. Furthermore, he demonstrates that journalism of the movement was eventually consecrated in book form, revealing modernista intentionality for their mass-produced, seemingly utilitarian journalistic articles. The Spanish American Cr?nica Modernista, Temporality, and Material Culture thereby enables a better understanding of how the material textuality of the cr?nica impacts its interpretation and readership.Andrew R. Reynolds is assistant professor of Spanish at West Texas A&M University.Reynolds employs a material culture studies approach by reading the cr?nica through journalistic practices, while also drawing from sociological and poststructuralist theorists such as Deleuze and Bourdieu. His take on the cr?nica modernista is a valuable contribution to cr?nica studies that revises some of the current analytical commonplaces on the topic....[T]his is an ambitious book that steers clear from easy aners in favor of nuance, tension and even paradox. Its ambitious argument in favor of reintegrating the cronica into the worlĂ+