BARBARA HURD is the author of
Stirring the Mud, Entering the Stone, Walking the Wrack Line, and a collection of poetry,
The Singer’s Temple. Her work has appeared in
Best American Essays, the
Yale Review, the
Georgia Review, Orion, and
Audubon. She is the recipient of an NEA Fellowship for Creative Nonfiction, winner of the Sierra Club’s National Nature Writing Award, five PushcartPrizes, five Maryland State Arts Council Awards, and a 2015 Guggenheim Fellowship. She teaches in the MFA in Writing Program at the Vermont College of Fine Arts.In these nine evocative essays, Barbara Hurd explores the seductive allure of bogs, swamps, and wetlands. Hurd's forays into the land of carnivorous plants, swamp gas, and bog men provide fertile ground for rich thoughts about mythology, literature, Eastern spirituality, and human longing. In her observations of these muddy environments, she finds ample metaphor for human creativity, imagination, and fear.
Hurd is a consummate naturalist, writing with the grace and precision of a Peter Matthiessen or an Annie Dillard, but she is also remarkably curious about human nature, spinning her discussion to bring in Joseph Campbell, the I Ching, and Thomas Edison. . . . One moment you're holding a bog turtle in the palm of your hand or watching a dragonfly unfold its wings, and the next you're learning how Monet went about exhibiting his water lily canvases in 1922 or why the cold acidic water of peat bogs so perfectly preserves a body. . . . It is a measure of her skill that she steps among these elements so effortlessly, and it is a measure of her ambition that keeps the aperture of her camera wide open to capture what might otherwise have laid hidden in the dark.
Delving into these wetlands, she finds in their array of strange fauna and flora an objective correlative to the pllƒC