The Studio Recordings of the Miles Davis Quintet, 1965-68provides an important analytical study of the Miles Davis quintet studio recordings of 1965-68, including the albumsE.S.P.,Miles Smiles,Sorcerer,Nefertiti,Miles in the Sky, andFilles de Kilimanjaro. Using transcription and analysis, Keith Waters brings to light the compositional, improvisational, and collective achievements of the group.The Second Quintet -- the Miles Davis Quintet of the mid-1960s -- was one of the most innovative and influential groups in the history of the genre. Each of the musicians who performed with Davis--saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams--went on to a successful career as a top player. The studio recordings released by this group made profound contributions to improvisational strategies, jazz composition, and mediation between mainstream and avant-garde jazz, yet most critical attention has focused instead on live performances or the socio-cultural context of the work. Keith Waters'The Studio Recordings of the Miles Davis Quintet, 1965-68concentrates instead on the music itself, as written, performed, and recorded.Treating six different studio recordings in depth--ESP, Miles Smiles, Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro--Waters has tracked down a host of references to and explications of Davis' work. His analysis takes into account contemporary reviews of the recordings, interviews with the five musicians, and relevant larger-scale cultural studies of the era, as well as two previously unexplored sources: the studio outtakes and Wayne Shorter's Library of Congress composition deposits. Only recently made available, the outtakes throw the master takes into relief, revealing how the musicians and producer organized and edited the material to craft a unified artistic statement for each of these albums. The author's research inlĂS