Costume defines the superhero, disguising and distinguishing him or her from the civilian alter ego. The often garish garb expresses a hero's otherness and empowers its wearers to seek a primal form of justice.
This book provides the first interdisciplinary analysis of the superhero costume and investigates wide-ranging issues such as identity, otherness, ritual dress and disguise. Analysis focuses on the implications of wearing superhero costume, exploring interpretations of the costumed hero and the extent to which the costume defines his or her role. Using examples across various media (comic books, film, and television) with case studies including The X-Men, Watchmen, real-life superheroes such as Phoenix Jones and Pussy Riot, and audience activities such as cosplay,The Superhero Costumepresents new perspectives on the increasingly popular genre.
A lively and thorough account of superhero fashions throughout history,The Superhero Costumewill be essential reading for students of visual culture, popular culture, fashion and cultural studies.
Barbara Brownieis a Senior Lecturer in Visual Communication at the University of Hertfordshire, UK, where she leads online postgraduate study in graphic design and illustration, and lectures in fashion theory.
Danny Graydonis a journalist, critic and author specializing in film and comics. He is a Contextual Studies Lecturer at The School of Creative Arts at the University of Hertfordshire, UK, teaching model special effects and interactive media.
The book is a smoothly written, highly accessible and, above all, richly informative text that addresses a crucial gap in scholarly knowledge and offers some unexpected food for thought. Studies in Costume and Performance
This is a very interesting book ... It provides a chain of interesting ideas that invite reflection on the relationship between the fact and fiction of superhero costumes, and give somlÓ(