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Television History, the Peabody Archive, and Cultural Memory [Paperback]

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  • Category: Books (Performing Arts)
  • ISBN-10:  0820356204
  • ISBN-10:  0820356204
  • ISBN-13:  9780820356204
  • ISBN-13:  9780820356204
  • Publisher:  University of Georgia Press
  • Publisher:  University of Georgia Press
  • Pages:  256
  • Pages:  256
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2019
  • Pub Date:  01-May-2019
  • SKU:  0820356204-11-MPOD
  • SKU:  0820356204-11-MPOD
  • Item ID: 103998494
  • Seller: ShopSpell
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  • Delivery by: Oct 12 to Oct 14
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.
Ethan Thompson (Editor)
ETHAN THOMPSON is a professor of communication and media at Texas A&M University, Corpus Christi. He is coeditor of the book How to Watch Television, author of Parody and Taste in Postwar American Television Culture, and producer and director of the historical documentary, TV Family.

Jeffrey P. Jones (Editor)
JEFFREY P. JONES is director of the George Foster Peabody Awards and the Lambdin Kay Chair and Professor of Entertainment and Media Studies at the University of Georgia. He is the author and editor of five books, including Entertaining Politics: Satiric Television and Political Engagement, Satire TV: Politics and Comedy in the Post-Network Era, and News Parody and Political Satire across the Globe.

Lucas Hatlen (Editor)
LUCAS HATLEN is a doctoral candidate at the University of Georgia. His research interests focus on the interplay of political entertainment and U.S. history.

Television History, the Peabody Archive, and Cultural Memory is the first edited volume devoted to the Peabody Awards Collection, a unique repository of radio and TV programs submitted yearly since 1941 for consideration for the prestigious Peabody Awards. The essays in this volume explore the influence of the Peabody Awards Collection as an archive of the vital medium of TV, turning their attention to the wealth of programs considered for Peabody Awards that were not honored and thus have largely been forgotten and yet have the potential to reshape our understanding of American television history.

Because the collection contains programming produced by stations across the nation, it is a distinctive repository of cultural memory; many of the programs found in it are not reprlS=

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