During its fifty year run, Theatre Arts Magazinewas a bustling forum for the foremost names in the performing arts, including Stanislavski, Laurence Olivier, Lee Strasberg, John Gielgud and Shelley Winters. Renowned theatre historian Laurence Senelick has plundered its stunning archives to assemble a stellar collection of articles on every aspect of acting and theatrical life.
Introduction Acting in the American Tradition Acting and the New Stagecraft, by Walter Pritchard Eaton The Place of the Actor in the New Movement, by Claude King Billets doux, by Stark Young Paul Muni: a Profile and a Self-Portrait, by Morton Eustis Margaret Sullavan, by John Van Druten Comedienne from Radcliffe: Josephine Hull, by William Lindsay Gresham Laurette Taylor, by Norris Houghton Seven Interviews in Search of Good Acting Off-Broadway, by Aimee Scheff That Wonderful Deep Silence, by Shelley Winters Shakespeare and the American Actor, by John Houseman Geraldine Page, the Irony of a Legend, by Joseph Carroll Jason Robards, Jr, by John Keating George C. Scott, by Jack Balch Maureen Stapleton, by Gilbert Millstein Dear Diary, by Hume Cronyn Julie Harris, by John Keating The British Legacy A Crux in English Acting, by Alastair Cooke Acting in My Time, by St. John Irvine An Artist's Apprenticeship, by John Gielgud The Gielgud Macbeth, by Ashley Dukes John Gielgud, by Alan Dent The Actor as Biographer: Wilfred Lawson, by Rosamund Gilder Gertrude Lawrence, by Theodore Strauss The Oliviers, by Sewell Stokes Sir Laurence and Larry, by Alan Pryce-Jones Shaw and the Actor: Rex Harrison and Siobh??n McKenna ol£