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Theatre and State in France, 1760-1905 [Hardcover]

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  • Category: Books (Performing Arts)
  • Author:  Hemmings, Frederic William John
  • Author:  Hemmings, Frederic William John
  • ISBN-10:  0521450888
  • ISBN-10:  0521450888
  • ISBN-13:  9780521450881
  • ISBN-13:  9780521450881
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  300
  • Pages:  300
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-May-1994
  • Pub Date:  01-May-1994
  • SKU:  0521450888-11-MPOD
  • SKU:  0521450888-11-MPOD
  • Item ID: 100924744
  • Seller: ShopSpell
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  • Delivery by: Jul 14 to Jul 16
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Relations between theatre and state were seldom more fraught in France than in this period. F. W. J. Hemmings traces the vicissitudes of this perennial conflict.Relations between theatre and state were seldom more fraught in France than in the latter part of the eighteenth- and during the nineteenth-century. In his illuminating study, F. W. J. Hemmings traces the vicissitudes of this perennial conflict, which began with the rise of the small independent boulevard theatres in the 1760s and eventually petered out in 1905 with the abandonment of censorship by the state.Relations between theatre and state were seldom more fraught in France than in the latter part of the eighteenth- and during the nineteenth-century. In his illuminating study, F. W. J. Hemmings traces the vicissitudes of this perennial conflict, which began with the rise of the small independent boulevard theatres in the 1760s and eventually petered out in 1905 with the abandonment of censorship by the state.Relations between theater and state were seldom more fraught in France than in the latter part of the eighteenth and during the nineteenth centuries. In his illuminating study, F.W.J. Hemmings traces the vicissitudes of this perennial conflict, which began with the rise of the small independent boulevard theaters in the 1760s and eventually ended in 1905 with the abandonment of censorship by the state. There are separate chapters on the provincial theater, while the French Revolution is given particularly detailed attention. This work, complementing his earlier book The Theatre Industry in Nineteenth-Century France (CUP 1993), will be of interest to students of theater history, French studies, and European culture in general.Chronology; Introduction; 1. The royal theatres of the ancien r?gime; 2. The rise of the commercial theatre; 3. Dramatic censorship down to its abolition; 4. The liberation of the theatres; 5. The royal theatres under the Revolution; 6. The theatre in the service of the Republil“(
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