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Wagner's Ring addresses fundamental concerns that have faced humanity down the centuries, such as power and violence, love and death, freedom and fate. Further, the work seems particularly relevant today, addressing as it does the fresh debates around the created order, politics, gender, and sexuality. In this second of two volumes on the theology of the Ring, Richard Bell argues that Wagner's approach to these issues may open up new ways forward and offer a fresh perspective on some of the traditional questions of theology, such as sacrifice, redemption, and fundamental questions about God. A linchpin for Bell's approach is viewing the Ring in the light of the Jesus of Nazareth sketches, which, he argues, confirms that the artwork does indeed address questions of Christian theology, for those inside and outside the church.GBIn his two previous volumes on the music of Richard Wagner, Richard Bell demonstrated his grasp of his subject and the importance of his project not only for students of music but also for those in the humanities more generally. This volume continues the task of opening up for readers the importance of Wagner's towering presence in Western music. This book especially shows why embracing music, art, and literature is such a necessary broadening of the intellectual horizons of contemporary theological study. This original and pioneering study is required reading for all those seeking to understand better the challenges facing contemporary life and the contribution that Wagner's music can make to that task.Richard H. Bell's new book argues that we can interpret Wagner's Ring cycle as a Christian allegory. Bell's meticulous scholarship dismantles the prejudice that Wagner's worldview was essentially non- or even anti-Christian, exploring the composer's relation to contemporary German philosophy, to Lutheran teaching, and to notes for a planned five-act opera on the life of Jesus. Clearly written and thoroughly researched, this is a book that will illS6